Anagarika Munindra and the Art of Practicing Through Doubt

Anagarika Munindra keeps popping into my head when practice feels too human, too messy, too full of doubts I don’t know how to shut up. Curiously, I never had the chance to meet Munindra in person, which is strange when I think about it. I have no personal memory of sitting with him, listening to his speech, or seeing his famous pauses in person. Nevertheless, he appears—not as a formal instructor, but as a subtle presence that arrives when I am annoyed by my own thoughts. Typically in the late hours. Generally when I am exhausted. Often right after I've convinced myself that the practice is useless for now, or maybe for good.

It’s around 2 a.m. right now. The fan’s making that uneven clicking sound again. I should’ve fixed it weeks ago. My knee hurts a bit, the dull kind, not dramatic, just annoying enough to keep reminding me it exists. I am in a seated posture, though it's more of a discouraged slouch than a meditative one. The mind’s noisy. Nothing special. Just the usual stuff. Memories, plans, random nonsense. Then a memory of Munindra surfaces—how he avoided pressuring students, never romanticized awakening, and didn't present the path as an easy, heroic feat. He apparently laughed a lot. Like, actually laughed. That detail sticks with me more than any technique.

Vipassanā: Precision Tool vs. Human Reality
Vipassanā is frequently marketed as a highly precise instrument. Watch this. Label that. Maintain exactness. Be unwavering. And yeah, that’s part of it. I get that. I respect it. But there are days when that whole vibe just makes me feel like I’m failing a test I didn’t sign up check here for. Like I’m supposed to be calmer, clearer, more something by now. In my thoughts, Munindra represents a very different energy. He feels more approachable and forgiving; he wasn't idle, just profoundly human.
I think about how many people he influenced without acting like a big deal. He was a key teacher for Dipa Ma and a quiet influence on the Goenka lineage. And yet he stayed… normal? That word feels wrong but also right. He didn't make the practice about showmanship or force a mystical persona. He lacked any ego about being unique; he simply offered kind attention to everything, especially the "ugly" parts of the mind.

Smiling at the Inner Struggle
During my walking practice earlier, I found myself genuinely irritated by a bird. Its constant noise was frustrating. I recognized the anger, and then felt angry at myself for having that reaction. It’s a classic cycle. For a moment, I tried to force a sense of "proper" mindfulness upon myself. Then I thought of Munindra again—or the concept of him smiling at the absurdity of this internal theatre. Not mocking. Just… seeing it.
My back was damp with sweat, and the floor was chillier than I had anticipated. Breath came and went like it didn’t care about my spiritual ambitions. I often lose sight of the fact that the process is independent of my personal narrative. It simply unfolds. Munindra appeared to have a profound grasp of this, yet he kept it warm and human rather than mechanical. A human mind, a human body, and a human mess—all still capable of practice, all still valuable.

I don’t feel enlightened writing this. Not even close. I feel tired. Slightly comforted. Slightly confused. The mind’s still jumping. I will likely face doubt again tomorrow. I'll likely look for more tangible progress or some confirmation that this isn't a waste of effort. But for now, it is sufficient to recall that a man like Munindra lived, practiced this way, and maintained his human warmth.
The fan’s still clicking. The knee still hurts. The mind’s still loud. And somehow, that is perfectly fine for now. It's not "fixed," but it's okay enough to just keep going, one simple breath after another, without the need to pretend it is anything else.